The film is now all done. Here is a still. Look out for a trailer next week!
It is called,
The film is now all done. Here is a still. Look out for a trailer next week!
It is called,
573 frames of Barry Flint feeling like a bad father…
Bring in the lawn chairs… there’s a storm coming.
Barry’s car from my new film. He crossed a state border to get the colo(u)r he wanted
Here are 744 raw frames of just one of the characters and a box from scene 4 which I finished animating yesterday!
“Haha, I love you too, son!”
1272 raw frames from scene 3.
“This is stupid!”
Still going. Over three minutes in now!
Happy new year.
Today I did a schedule for my film. I want to finish it by February 15th so that I can submit it to Annecy. I’ve done some maths (I can do animation and maths) and I worked out I need to do about 80 seconds a week which is 11.4 seconds a day if I work every day. I’ve done about 80 seconds already so basically all I need to do is do the equivalent of what I’ve done from July 20th, 2011 to January 2nd, 2012 in a week, every week, for six weeks.
At times like this I look back to when I’ve made films before…

Been working at Aardman on some ITV Christmas idents with Tim Ruffle. Been hard resisting getting into the spirit and watching my favourite Mariah Carey/Disney Christmas video before it’s December but I’ve managed it so far.
Also moved to London and been working on my film in-between jobs. I’ve set myself a deadline of 15th February for the Annecy short film deadline to get it done. A schedule is what I need. Going ok so far though; picture for proof that I’ve done at least 65 frames.

Over the last couple of weeks I’ve been recording the voices for my film. Due to budget constraints I did it in a walk in wardrobe. Here’s Andy London in action.
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Grow Wild. Kew Gardens. Pencil on paper. 2013.
Summer 1991. Pencil on paper. 2009.
Two. Pencil on paper. 2012.
Is it a plane? Yes, yes it’s a tiny red and blue plane. Jeez…
Tokyo: explosions in the kitchen.